The first quantity to significantly have interaction the paintings of Andrew Feenberg.
Largely a result of web and the recent economic system, know-how has turn into the buzzword of our tradition. yet what's it, and the way does it have an effect on our lives? extra importantly, do we keep watch over and form it, or does it keep watch over us? briefly, can we make know-how extra democratic? utilizing the paintings of Andrew Feenberg, one in every of an important and unique figures within the box of philosophy of know-how, as a origin, the members to this quantity discover those very important questions and Feenberg responds.
In the Nineties, Feenberg authored 3 books that confirmed him as one of many prime students in a quickly constructing box, and he's one of many few to delineate a conception for democratizing technological layout. He has tested the shortcomings of conventional theories of know-how and argued for what he calls “democratic clarification” the place actors intrude within the technological layout strategy to form it towards their very own ends. during this ebook, the individuals examine foundational matters in Feenberg’s paintings, together with questions of human nature, biotechnology, gender, and his readings of Heidegger, and so they study useful concerns, together with democratizing know-how, ethical assessment, and environmentalism.
“The topic of this quantity is essential. Feenberg’s paintings merits awareness, as does the query approximately democratization of expertise. The participants now not purely display hidden dimensions in Feenberg’s paintings, but in addition make attention-grabbing contributions to broader discussions in philosophy of know-how and demanding concept. I quite loved the reaction via Feenberg.” — David M. Kaplan, editor of Readings within the Philosophy of Technology
Contributors comprise Albert Borgmann, Simon Cooper, Gerald Doppelt, Andrew Feenberg, Trish Glazebrook, Larry A. Hickman, Andrew mild, David J. Stump, Paul B. Thompson, Iain Thomson, Tyler J. Veak, and Edward J. Woodhouse.
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