En el presente libro, obra provocativa y con múltiples derivaciones, Arnheim afirma que todo pensamiento (y no sólo el pensamiento relacionado con el arte u otras experiencias visuales) es de naturaleza fundamentalmente perceptual, y que los angeles vieja dicotomía entre visión y pensamiento, entre percepción y razonamiento, es falsa y desorientadora. El autor muestra que incluso los procesos básicos de l. a. visión implican mecanismos típicos del razonamiento e indica los angeles existencia de resolución de problemas en las artes y de imágenes en los modelos mentales de l. a. ciencia. Lejos de constituir una función <>, nuestra respuesta perceptual ante el mundo es el medio primary por el que estructuramos los acontecimientos y del que derivamos las principles y el lenguaje. Arnheim basa sus argumentos en fabric procedente de filósofos, antiguos y modernos; de experimentos psicológicos de laboratorio; de los trabajos consagrados a l. a. percepción y a los angeles creación artística de los niños; de escritos científicos sobre física y astronomía... Las observaciones de Arnheim mantienen los angeles exposición en un nivel tangible y pertinente respecto de l. a. experiencia humana en situaciones reales.
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