By Chad Perkins
Get the main from the main regularly occurring software within the postproduction box! achieve the insider counsel you must compose attention-grabbing, inventive Adobe After results tasks fast and successfully.
In How to Cheat in After results, moment variation seasoned AE specialist Chad Perkins offers dozens of concise, step by step tutorials and indulgent 4-color illustrations to get you at the quickly music to generating awesome movement photographs and visible results. up-to-date for CS6, this new version has been revised to include:
- A fresh bankruptcy at the preferred third occasion results together with Trapcode specific and Video Copilot's aspect 3D
- New cheats on specialist compositing, expressions, and excessive finish visible effects
- Tons of cool gentle methods and classes on how you can use Video Copilot's Optical Flares
- A thorough clarification of the Ray-trace 3D engine brought in After results CS6
- An all new spouse DVD with undertaking records permitting you to paintings along the workouts within the e-book, in addition to QuickTime video clips showing techniques
There’s no time to waste! even if you're an intermediate After results consumer wanting its extra complex instruments or a amateur searching for strategies to up your online game, this booklet will convey your movement snap shots, visible results, and photograph compositions to the subsequent level.
For clients who purchase an digital model of the book, all the DVD undertaking documents can be found for obtain at www.focalpress.com/9780415661065
Read or Download How to Cheat in After Effects PDF
Best Other Media books
The Word Made Flesh: Literary Tattoos from Bookworms Worldwide
A fantastically packaged full-color choice of literary tattoos and brief own essays, The be aware Made Flesh is an intimate yet nameless confessional e-book, within the vein of thought-provoking anthologies like PostSecret and never fairly What i used to be making plans. wonderful pictures and candid statement are gathered through authors Eva Talmadge—whose brief tale “The Cranes” was once pointed out as outstanding Nonrequired analyzing of 2008 in Dave Eggers’ top American Nonrequired interpreting 2009—and Justin Taylor, writer of every little thing here's the simplest factor Ever, and editor of the acclaimed brief fiction anthology, The Apocalypse Reader.
Playing Along: Digital Games, YouTube, and Virtual Performance (Oxford Music / Media)
Why do not Guitar Hero gamers simply decide up actual guitars? What occurs while hundreds of thousands of individuals play the position of a tender black gang member in Grand robbery automobile: San Andreas? How are YouTube-based track classes altering the character of beginner musicianship? This booklet is set play, functionality, and participatory tradition within the electronic age.
Flash MX Games: ActionScript for Artists
Research the pro abilities you want to make the simplest use of Flash for developing interactive animation and generating interesting, dynamic net content material. Nik Lever, writing as an artist for artists, takes you thru the total procedure from developing the artwork and animation for video games in Flash, to including the interactivity utilizing Flash's ActionScripting language.
Secrets of Figure Creation with Poser 5
Study from a Poser grasp the best way to make the simplest use of this flexible and intriguing determine production package deal, no matter if you're utilizing model three, four, the professional Pack or the recent model five improve. BL Render offers an in-depth advisor that explains every one point of the method of making a determine in Curious Labs' Poser.
Extra info for How to Cheat in After Effects
132 utilizing Roto Brush. . . . . . . . . . . . . . . . . . . 134 Restoring Opacity . . . . . . . . . . . . . . . . . . 136 guide Shadow. . . . . . . . . . . . . . . . . . . . 138 consultant Layers . . . . . . . . . . . . . . . . . . . . . . one hundred forty Interlude: taking pictures greater eco-friendly reveal photos . . . . . . . . . . . . . . . . . . . . . . . . 142 five Animation one hundred forty four The Puppet Pin instrument . . . . . . . . . . . . . . . . 146 iii Coont on nteent nts Puppet Overlap . . . . . . . . . . . . . . . . . . . . 148 Puppet Animation . . . . . . . . . . . . . . . . . . one hundred fifty Bouncing Ball . . . . . . . . . . . . . . . . . . . . . 152 Parenting . . . . . . . . . . . . . . . . . . . . . . . . . 154 Rigging an Arm . . . . . . . . . . . . . . . . . . . . 156 Waving Sail . . . . . . . . . . . . . . . . . . . . . . . 158 Animating the Blob . . . . . . . . . . . . . . . . . a hundred and sixty Animating a photograph: half 1 . . . . . . . . . . . 162 Animating a photograph: half 2 . . . . . . . . . . . 164 Displacement Mapping . . . . . . . . . . . . . . 166 Projection Mapping . . . . . . . . . . . . . . . . . 168 Resizing Animation . . . . . . . . . . . . . . . . . one hundred seventy Animating Layers off and on . . . . . . . . . 172 textual content Messaged Animation . . . . . . . . . . . 174 The Vegas impression . . . . . . . . . . . . . . . . . . . 224 Luma Matte . . . . . . . . . . . . . . . . . . . . . . . 226 Alpha Matte . . . . . . . . . . . . . . . . . . . . . . . 228 Animating mask . . . . . . . . . . . . . . . . . . . 230 Feathered Vertices . . . . . . . . . . . . . . . . . . 232 movement Paths from Illustrator . . . . . . . . 234 Trapcode 3D Stroke . . . . . . . . . . . . . . . . . 236 eight Interlude: Walt’s Principless. . . . . . . . . . 176 6 gentle results 178 HDR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and eighty Volumetric gentle . . . . . . . . . . . . . . . . . . . 182 Silhouettes . . . . . . . . . . . . . . . . . . . . . . . . 184 Bars of sunshine . . . . . . . . . . . . . . . . . . . . . . 186 Welding Sparks . . . . . . . . . . . . . . . . . . . . 188 gentle Whips . . . . . . . . . . . . . . . . . . . . . . . one hundred ninety degree lighting . . . . . . . . . . . . . . . . . . . . . . . 192 Galaxy Scene . . . . . . . . . . . . . . . . . . . . . . 194 strength dice . . . . . . . . . . . . . . . . . . . . . . . 196 Faked gentle Streaks . . . . . . . . . . . . . . . . . 198 Searchlights . . . . . . . . . . . . . . . . . . . . . . . 2 hundred Sheen . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 The Glow impression . . . . . . . . . . . . . . . . . . . . 204 Flaring sizzling Spots. . . . . . . . . . . . . . . . . . . 206 Laser Beams . . . . . . . . . . . . . . . . . . . . . . . 208 Trapcode Shine . . . . . . . . . . . . . . . . . . . . 210 Interlude: excessive Dynamic Rangee . . . . . . . 212 7 iv mask and Shapes 214 masks strategies . . . . . . . . . . . . . . . . . . . . . . 216 immediate Vignette. . . . . . . . . . . . . . . . . . . . 218 Sky substitute . . . . . . . . . . . . . . . . . . . 220 From Video to form Layer. . . . . . . . . . . 222 debris 238 Particle Bootcamp . . . . . . . . . . . . . . . . . . 240 flickers . . . . . . . . . . . . . . . . . . . . . . . . . . 242 Smoke path . . . . . . . . . . . . . . . . . . . . . . . 244 Foam fundamentals . . . . . . . . . . . . . . . . . . . . . . . 246 customized debris . . . . . . . . . . . . . . . . . . . 248 Make it Rain . . . . . . . . . . . . . . . . . . . . . . 250 easy Snow. . . . . . . . . . . . . . . . . . . . . . . . 252 Snow with Foam . . . . . . . . . . . . . . . . . . . 254 Molten Gold . . . . . . . . . . . . . . . . . . . . . . . 256 mild Ribbons . . . . . . . . . . . . . . . . . . . . . . 258 Steam . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262 3D Fireworks . . . . . . . . . . . . . . . . . . . . . . 264 hearth Texture . . . . . . . . . . . . . . . . . . . . . . . 266 Campfire. . . . . . . . . . . . . . . . . . . . . . . . . . 270 Psychic Waves . . . . . . . . . . . . . . . . . . . . . 272 megastar box . . . . . . . . . . . . . . . . . . . . . . . . . 274 Confetti . . . . . . . . . . . . . . . . . . . . . . . . . . 276 Water floor Disruption . . . . . . . . . . . . 278 Flowing Chocolate. . . . . . . . . . . . . . . . . . 280 Trapcode shape: 4D Fractal . . . . . . . . . . . 282 specific: 3D mild Streaks . . . . . . . . . . 284 Interlude: Particle Alternativess. . . . . . . 286 nine colour Correction 288 interpreting a Histogram .