By Roy Ascott, Edward A. Shanken
Telematics, a robust marriage of pcs and telecommunication, made applied sciences we now take for granted—such as electronic mail and automatic teller machines (ATMs)—part of our lifestyle, and made artwork a extra interactive kind of expression. Telematic paintings demanding situations conventional relationships among artist, art, and viewers by means of permitting nonlocal audiences to steer the emergent traits of the art, which is composed of the ebb and move of digital info. those essays represent a different archaeology of rules, tracing Ascott’s meditations at the formation of cognizance throughout the intertwined cultural histories of paintings and know-how from the Sixties to the present.
Shanken’s advent situates Ascott’s paintings inside of a historical past of principles in artwork, know-how, and philosophy. Given the expanding function of the web and the realm extensive net within the construction of trade and group on the sunrise of this new millennium, students, scholars, laypeople, policymakers, and artists will locate this assortment informative and thought-provoking.
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